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2022 was the sunniest and, along with 2018, the warmest and driest year in Germany’s recorded history since 1881, and this is certainly also true for the cooler Mosel region where budbreak and flowering was early. After a rainy period in early June, during the end of flowering, yields were partly reduced but in acceptable quantities. Then, there was barely any rain until the end of the growing season. The upside: the grapes remained healthy. The downside: the grapes were in danger of not ripening in the drought, and the vines—and not just the young ones—even threatened to starve. And then, at the wrong time, at the end of August, the rain came. And it was useless. At least the rain didn’t bring a significant leap forward in terms of must weights and concentration, which both remained relatively low. At the same time, the acidity levels dropped sharply for those producers who waited too long, because they had to wait to reach the finish line in terms of fruit ripeness. On the other hand, those who accepted that this exceptional vintage was rather moderate in its talents and not suitable for the production of great dry and noble sweet wines, made the best of it. For fruit-driven Kabinett, Spätlese and Auslese qualities, 2022 was a very nice vintage, precisely because the wines are light and vivacious but also provided with a charmingly lush fruit ripeness and flavor. The 2022s I have tasted so far are everything but what you would expect from such a warm and dry vintage. Even though certain wine styles weren’t produced last year—for example, Willi Schaefer didn’t bottle anything above Spätlese quality and didn’t produce any wine from the Wehlener Sonnenuhr, and Dr. Hermann focused on the Kabinett style and bottled only one dry Grosses Gewächs instead of the four that were bottled the year before—the total crop was slightly better in 2022 than in 2021, but it was still below the average of past years.

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Dr. Hermann’s 2022 Erdener Prälat Riesling grapes

Back to the vineyards and their situation last summer when drought was a serious issue everywhere in the Mosel (and everywhere in Germany), especially for younger vines, which suffered the most and stopped photosynthesis. Many of the vines, although partly irrigated, weren't picked at all, even whole parcels or vineyard sites were discarded. For example, Christoph and Andreas Schaefer from Weingut Willi Schaefer in Graach decided not to irrigate. The terroirs in Graach have a good water supply anyway, and Schaefer aims for deep root systems in order not to suffer from drought in the future.

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Vineyard work chez Willi Schaefer in the Domprobst

Other terroirs are less generous than in Graach. Ürzig for example. In certain parts, the partly terraced terroirs are so rocky that wise producers, such as Christian Hermann from Weingut Dr. Hermann, abandoned certain plots and cut off the grapes early enough just to rescue the vitality of the vines for the coming years. These extremely stressed vines produced good looking, golden-yellow grapes whose berries had must weights from below 60° Oechsle, though, reports Hermann. "Even a drop of this must in your wine will make it taste terrible."

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Left: Dr. Hermann’s 2022 Goldtroepchen; Right: Dr. Hermann’s 2022 Juffer Kabinett

We can be sure that by far not all the Mosel producers cut off their potential income or didn’t harvest it, and I am curious to learn if all the producers that I normally visit or taste the wines of were that consistent. Having seen the famous Wehlener Sonnenuhr earlier in May this year, I noticed wide areas of highly conventional viticulture. Glyphosate seems to be king here, but there are also well-managed plots that were looking healthy thanks to a good layer of humus and juicy spring greens. In particular, Markus Molitor and JJ Prüm have to be mentioned positively in this regard, even if neither of them is certified organic.

The drama of the Sonnenuhr in 2022, and possibly also in future years, is that it has many young vines after the cru was widely cleaned up and reallocated in the last few years (key word: “Flurbereinigung“). Willi Schaefer abandoned its small plot early and had already cut off all the grapes in summer. Christian Hermann picked for two fuders of Sonnenuhr Kabinett, which is only a fraction of the normal amount. He also didn’t harvest for any higher quality here. Constantin Richter from Max Ferdinand Richter, however, showed me three terrific 2022 Sonnenuhr Rieslings: Kabinett, Spätlese and a three-starred Auslese. They all come from at least 80-year-old vines, though. Katharina Prüm from Joh. Jos. Prüm prefers to show me her recent vintage only after two winters, so I didn’t taste any 2022s but instead tasted a superb series of 2021s. Also, Prüm holds many old, good-looking vines in the Wehlener Sonnenuhr, which is the signature cru of the family, so I would be optimistic when it comes to deciding whether or not to buy a WSU from Prüm.

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Stefan Steinmetz produced impressive dry 2021 Rieslings and stimulating 2022 Kabinett wines.

As I mentioned, the long-awaited rain came at "the wrong time," in September, reports Andrea Schaefer. “Within two weeks before the start of the harvest, we had 50 liters per square meter of precipitation—a horror scenario for any winegrower.“ The producer’s fortune was the cool autumn weather and the excellent health of the grapes. However, very strict selections were absolutely necessary due to uneven ripeness, even on the same plant. The rain made sugar levels rise as quickly as the acidity levels went down. "Being on time and very selective was very important," says Richter.

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Left: Andrea and Christoph Schaefer of Weingut Willi Schaefer crafted celestial 2022s. Right: Constantin Richter produced terrific 2022 sweet predicate wines.

The 2022 harvest in the Middle Mosel started in mid-September and went on for about five to six weeks until the end of October and partly in early November. Since the concentration in the berries didn’t grow, must weights often remained rather low, even after the rainfall in September.

Fermentations could have been another problem in 2022, since the yeasts cannot pick up much nutrients in a dry year like this to ferment quickly to dry or to the desired level for Prädikatswein. Fermenting with wild yeasts normally means fermenting at cooler temperatures. In 2022, though, there were obviously serious hotspots in slow fermentations, such as volatile acidity, acid, malolactic fermentation and the early stop of the fermentation due to weak yeasts.

However, the 2022 wines I tasted for this report, which initially focused on the 2021s from JJ Prüm and Markus Molitor, taste stunningly "classical" and not as wines we would expect from a vintage with 2022 conditions. The 2022s from this report are light but have ripe, clear and lush fruit balanced by ripe and delicate, mouth-tickling acidity that has a higher share of tartaric acid rather than malic acid. "2022 tastes more like a ’normal‘ vintage, such as 2016, 2004, 2002 or 1999," finds Richter.

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2022 Wuerzgarten old vine Riesling grapes

Although it is still too early for a list of accomplishments—top dry Rieslings haven’t been released yet, and the five producers in the Middle Mosel whose 2022s I have tasted shouldn’t be representative—it is not too early to state this: Given the situations in the drought-stressed vineyards during summer 2022—almost three months without rain—the resulting wines I have tasted so far are much better, fresher and juicier than expected. This is particularly true for the 2022 Kabinett, Spätlese and Auslese styles, as long as they haven’t been fermented to dry and are based on ripe and perfectly healthy grapes. Since the Auslese quality is usually much more expensive than Spätlese, the most attractive wines of the 2022 vintage tend to be the Spätlese and also Kabinett Rieslings. The leap from one of the great 2022 Spätleses to the finest Ausleses of the vintage seems to be not significantly large. One will enjoy all the mentioned predicate wines anyway. Whether this also applies to the dry wines remains to be seen, but I am skeptical. At least, if a Grosses Gewächs in 2022 is not allowed to be lean and medium-bodied and forced to be “big.” Already with the few dry "smaller" growths, also Kabinett trocken, they lack fruit and extract, and the wines currently taste rather sparse and sharp-edged. The same weight class with residual sweetness is incomparably more attractive. But that is possibly also a matter of taste.

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The tasting room at Markus Molitor

Interestingly, Markus Molitor, uncrowned king also of dry-styled and feinherb Mosel Riesling Spätleses and Ausleses, who bottled his first Scharzhofbergers last year, releases three of his top 2021 dry Rieslings not as Prädikatswein (Auslese ***) as he usually does but, like his Pinot Noirs, as Qualitätswein (quality wine). This move enabled Molitor to chaptalize his crus, which he said was necessary in 2021 and also in 2022. “You will not find any 2021 or 2022 cru along the Mosel with natural 12% alcohol, not to mention 12.5%,“ he says: “The ripeness simply wasn’t there.“

The ripeness wasn’t there for the GG style? That’s possibly true.

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Domprobst Himmelreich Sonnenuhr
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Stephan Reinhardt researched and taught as a theater scholar at the Ludwig Maximilian University in Munich until shortly after the turn of the millennium. As a theater and music critic for the Süddeutsche Zeitung (one of the largest daily newspapers in Germany), he switched to wine in the fall of 2000 and has written exclusively about wine ever since. Initially, he continued to write for the Süddeutsche, then for the Welt am Sonntag and the daily newspaper "taz." Stephan has also written for numerous magazines in Germany, Austria and Switzerland, including Der Feinschmecker, Falstaff, Fine and GQ. In April 2014, Robert M. Parker Jr. invited Stephan to join The Wine Advocate team. Here Stephan writes about wines from Germany, Austria, Switzerland and Alsace but initially also covered the Loire and Champagne. Stephan is also a wine columnist for the Frankfurter Allgemeine Sonntagszeitung.

His book The Finest Wines of Germany was published in 2012 and was shortlisted as the "Best International Wine Book of the Year." Together with Stuart Pigott and others, he published Wein spricht deutsch in 2007, a large-format 700-page work in German on the best wines and winemakers from German-speaking countries.

Stephan has lived near Hamburg in northern Germany for over 20 years.


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